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Mandolin

Mandolin

Overview

This mandolin is made of walnut and cedar wood. It has fifteen metal strings, a soundboard, handle and peg head. The Spanish introduced string instruments such as the mandolin, violin and harp into Latin American culture.

Curatorial Comment

This mandolin was constructed in the 1950s in Ecuador and was one of many crafted by Don Vicente Baculima, a prominent builder of the instrument throughout the mid-20th century. According to this legendary craftsman “the tree trunk must be a minimum of 100 years old and then with much patience, peace and hope our hands turn this wood into melancholic and happy rhythms for our people.” Once the initial form of the instrument was constructed it was then left to dry for several years. His workshop would be filled with both pre-made mandolins and those that were custom designed.  The attention to detail and hand-made craftsmanship have made instruments such as the one belonging to Father Hernan a unique and valuable cultural artefact.

Hernan A.

Hernan A.
Torontonian

Unsustainable Silence from the Mouth of a Mandolin

I was born in Cuenca, Ecuador in 1963. There is a story that is told about my grandfather who used to travel on horseback throughout the Andean hills with a mandolin entertaining the communities he would come across. During one of his many sojourns, he was unexpectedly assassinated. This tragedy happened while I was in my mother’s womb and when I was born, I too was pulled by the sounds of the mandolin.

I left Ecuador in 1992, as the political situation in the country became increasingly unstable. Before I left, Don Vicente Baculima who was ninety at the time and famous for constructing the finest string instruments in Cuenca, gave me a mandolin. When I arrived in Toronto, I was faced with all of the challenges facing new immigrants: a language barrier, culture shock and lack of employment. Possibly in homage to my grandfather’s ideals, I began traveling the Toronto Transit System and city streets working as a busker. I used my mandolin to sing the restless songs of an immigrant wanting to realize practical dreams.

In 1999, I was ordained as the first Hispanic Anglican priest in Canada and I established the first Spanish–speaking congregation in Toronto. As years pass, I feel, live and share the manifestations of the old mandolin in the ideals of CHHA 1610 AM, the Caravan of Hope and the San Lorenzo Community Centre, all of which allow our community to celebrate, enrich and integrate into this multicultural capital, Toronto.
 



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